The eye has served as a powerful image for humanity for millennia. The Eye, in Kemetic belief, centres around the Udjat Eye – which is that of protection. Also the Eye of Heru (Horus is his Greek name) and the Eye of Ra – which are separate entities from Ra’s more than 70 forms – and can function independently of him.
Even in the earliest periods of Ancient Egyptian history and culture , the sun and the moon were often regarded as very eyes of the Great Falcon, Horus. Later the two were differentiated in that the Eye of Horus was the Left Eye or the Moon, while the Right Eye was Ra or the sun. One particular myth which comes to us from the tomb of Tutankhamun, talks of how Horus’ eye was blinded but then restored by Hathor – who is Herself an Eye of Ra. This ties into the cycles of the moon and of the waxing and waning action of that heavenly body that is ever present above us.
The more well known “Eyes of Ra” are HetHert (Hathor), Sekhmet, Bast, Wadjet, Mut, Meretseger and even Aset (Isis). The Eyes of Ra were considered to be the protectors and enforcers of divine law. Probably the best known myth surrounding this is the “Destruction of Mankind” where Hathor, the goddess of love, beauty and all that is good is told that Mankind has rebelled and attempted not only to overthrow the Netjeru (gods) but destroy them utterly, is sent forth by Ra in order to punish them : Thus Sekhmet was born.
These goddesses, known as Eyes also resided in the crown, or uraeus that was upon the brow of royalty. These goddesses held the power of the King and their power is manifested through him. This is where the function of the Queens or Great Royal Wives were the stand-ins for the Eye Goddesses, such as Hathor and Isis and insured the protection of Kingly Power and function within the Two Lands.
The Eye of Horus, or Eye of Ra or Udjat Eye were all a part of this greater protection. There were almost always eyes included within funerary equipment in the form of amulets, and painted motifs on coffins, walls. The Eye was a major theme to protect not just the pharaoh, but common people as well. It worked to keep away evil, to insure the path toward the Afterlife of the Duat was kept clear. The sailors of Ancient Egypt would often paint the eye on the prow of their ships and even skiffs to insure safe travel. Even today, modern Kemetics will have Eyes either painted on their vehicles, or in similar fashion to the Fish motif of the Christians, they will have an eye on their car. I certainly have them on all of our vehicles.
The Eye as depicted in Ancient Egyptian art is based off of the markings of falcons, such as the Peregrine Falcon ( Falco peregrinus ), a totemic representative of the God Horus. As depicted on many Eye artifacts, whether it be an actual amulet, piece of jewelery or a painted motif, shows the “teardrop” marking near the bottom of the Eye, not dissimilar from the markings on the Peregrine falcon. A similar line is also found just below the eye of the African Cheetah, who at times can be taken to represent Eye Goddesses that take the form of big cats.
Hieroglyphically, there are several symbols for the Eye. Gardiner Sign list, symbols D4 through D17 either depict the Eye or parts of the Eye. The attached meaning in Ancient Egyptian to these often talk of “doing” or “making” or one who “makes or does”. This idea ties rather emphatically to the eye and what it symbolizes as being an active rather than a passive role. “Here comes protection”, or “The Eye goes forth”, which could be in a protective or punishing type of function. The Eye of Ra is there to protect and to defend authority and keep the balance and either defend or restore ma’at.
The Eye is also used symbolically within Ancient Egyptian mathematics as a sort of symbolic break down for the concepts of measurement in the form of fractions. The Rhind Mathematical Papyrus and the Lahun or Kahun Papyrus, both have tables of unit fractions (1 as the numinator), and scribes would often have these tables for use within their work.
The various parts of the Eye would be broken down in this fashion:
- Right side of the eye = 1/2
- Pupil = 1/4
- Eyebrow = 1/8
- Left side of the eye = 1/16
- Curved tail = 1/32
- Teardrop or downward marking= 1/64
Unfortunately, however, studying this particular diagram does nothing for those of us who are mathematically impaired, no matter how much we love all topics that pertain to Ancient Egypt!
Another symbol of the Eye of Ra in specifics is the sun disk that appears on the heads of solar deities in the Egyptian pantheon, such as Sekhmet, Horus, and even Ra Himself. The sun disk and the Uraeus at the centre were protective and punishing at the same time. The sun or Ra moving across the sky could be found in the symbolism of the Solar Barque, which carried Ra across the sky each day. In the Barque of Ra or the Solar Barque, other deities rode with Ra. Certainly the body of the heavens was equated with the Celestial Cow who travels with Ra.
The symbolism of the Eye is central to Ancient Egyptian belief and the complexity of everything this one symbol can encompass can be both complex and at times confusing. While the Eye was a protector, it was also a punisher of wrongdoers. While it was protective of that order or Ma’at, it was sometimes difficult to control and would tend to wander. The cycle of the Wandering Eye returning to the Two Lands to signify that balance would once again be restored was met with great joy and merrymaking. When the Eye is restored and reestablished, we, too, are likewise restored and reestablished as well.
Roberts, Alison. Hathor Rising: The Power of the Goddess in Ancient Egypt. Rochester, VT: Inner Traditions International, 1997
Roberts, Alison. Golden Shrine, Goddess Queen: Egypt’s Anointing Mysteries. Rottingdean, East Sussex: NorthGate, 2008.
Roberts, Alison. My Heart My Mother: Death and Rebirth in Ancient Egypt. Rottingdean, East Sussex: NorthGate, 2000.
Shaw, Ian, and Paul T. Nicholson. The Dictionary of Ancient Egypt. New York: Harry N. Abrams, 1995. Print.
Wikipedia, “The Eye of Horus”. Web.
Wilkinson, Richard H. Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture., p.176 – 177; London: Thames and Hudson, 1992