Tag Archives: rants

Why Can’t Hollywood Seem to Get Ancient Egypt Right?

"Tut (miniseries)" by Source. Licensed under Fair use via Wikipedia - https://en.wikipedia.org/wiki/File:Tut_(miniseries).jpg#/media/File:Tut_(miniseries).jpgEarlier this week I splurged and bought the DVD set of the mini-series, Tut, starring Ben Kingsley that aired on Spike TV.   I confess, I was really excited when I saw it and got it a day before my paycheck was in the bank.   Hey, it’s ancient Egypt.  Some things get prioritized!

I excitedly loaded the DVD into my PC, I had a few hours before I really had to settle into watching the series.  I suffered through the previews and finally got the feature film.  I had my double espresso and I was ready to enjoy watching from the comfort of my home office.

Within the first fifteen minutes, I knew that I hated it.  There is no real mention of Nefertiti, or Kiya, Tut’s supposed mother. before we learn that Akhenaten has allegedly been poisoned and just before being sent to his deathbed, he manages to exact revenge on the plotters – or so he thinks. It wouldn’t have taken much for the show’s writers or producers to even bother to read history and center their script around it. Instead, they took the term ‘creative non-fiction’ to a whole new level.

Kingsley being cast as the elderly Ay is actually an excellent choice.  Kingsley plays at being ‘bad’ really well. The rest of the cast, not so much.   To be completely honest – I absolutely hated the show.  I hated it for the fact that the pruduction values were low enough that I could determine when the producers used repeated clips of film over and over again.  No one, not even someone who has a film background, should be able to spot something like this.    How is it in cheesy 80’s movies such as The Awakening with Charlton Heston, Stephanie Zimbalist and Susanah York can they get the film props to look like real antiquities – and in modern miniseries such as this one we have props and costuming that looks so incredibly bad and historically inaccurate? Did the costume designers even study the period? Nevermind that in The Awakening, Susanah York, who was allegedly playing an accomplished Egyptologist, just so happens to forget the first lesson of translating hieroglyphs and is seen on screen reading them backwards.

The one good thing about some of the Egyptian-themed movies of the past is that producers actually availed themselves of the expertise of egyptologists.  For Stargate and the subsequent Mummy movies, Dr. Stuart Smith was consulted to reconstruct spoken Kemetic.

The high priest in the movie, (of what Temple? Of What God?) is a man with an unshaven head?  Historically, that didn’t seem too likely.   And if he is praying to Amun-Ra – then they definitely  got a statue of the wrong god in the picture.  It was a statue of Horus – or Sokar, but it was absolutely not Amun.

At least the lead character playing Tutankhamun, Avan Jogia, said his name and made it at least sound right.  When Jogia even used the title, “Nisut Bity”,  I nearly fell out of my chair in shock. How can a three part miniseries where everything else is so abysmally wrong, actually get that one teeny detail of Ancient Egyptian titulary right?

The “tragic” queen, Ankhesenamun, played by Australian actress, Sibylla Deen, flounces around the set like a very bad Bollywood actress.  She doesn’t act like a woman of royal blood by any sense.  But then again, neither did Leonor Varela when she played Cleopatra VII in that particular mini-series either. Both of them sounded like shrill fish wives in their roles and the suspension of disbelief was too much even for those of us who truly wanted to believe.  I half expected a song and dance number to break out among the courtly plots that were going on unbeknownst to the King.

This show is so much like every other show that Hollywood attempts about Ancient Egypt in the last two decades. They cast the wrong people – usually Americans or Brits – to play ancient Egyptian people. In other words, they need to stop casting white people for these roles – I don’t care how good an actor or actress they are. Let’s stop with the historically inaccurate portrayal of historical figures. This is just as bad as when they cast white actors to play Indians back in the 50’s and 60’s. Egypt was a very cosmopolitan country, and the people in it were pretty much varying degrees of brown, etc. That’s what happens in places that are trade centers and there is food. People tend to go where the food is and where they can be assured of relative safety.

Coming at the end of February is the long-awaited trainwreck…erm, film “Egyptian Gods”. The buildup toward final release is beginning. Needless to say, the buzz is beginning, and not all of it is positive.

My opinion on the film is that it’s meant to be a money maker. Hollywood producers and financiers especially have no imagination and are obsessed with profit margins over quality by putting out things with lots of special effects and flash but very little else. Investors in major motion picture projects like this one want a sure thing so that they can not only get a return on investment (ROI) but also make a profit – whether at the box office or in DVD sales and streaming or a combination of all of the above, that is what their chief motivator was and is. Right now, Egypt sells. In fact interest in Egypt is at an all time high with the latest discoveries of a possible additional tomb attached to that of Tutankhamun, and by the Gods, the studios want to cash in.

I have heard lots of screaming in various forums, and not just on Facebook, about what color the actors playing the Gods are. As I mentioned earlier, I do agree it is both sad and frustrating that actors of color for the most part were passed over and the major roles went to mostly white, A-Listers such as Gerard Butler.  Let’s set that issue aside for just a moment.

Brian_Prince-Vultan

Brian Blessed as Vultan, Prince of the Hawkmen in ‘Flash Gordon’ (1980)

Going beyond that argument and taking it a step further, in my not-so-humble opinion, the most objectionable part of this film is the absolute bastardization of our mythologies to the point where they no longer resemble the original at all. I’m sorry, Kemetic culture was more poised and gracious than that gaudy mess! The costumes with capes for the men and plunging metalic-clad cleavage ever seen since Flash Gordon in the 80’s! Maybe that’s what they were going for with the color palette and the “Hawkmen” getup.

Hathor, of course, certainly looks expensive. The sets look more Greek or Roman than they do Kemetic. Why? Multi-million dollar budgets, that’s why.

I don’t believe for an instant that even an all black cast and crew could salvage any of what promises to be just more vapid, Hollywood dreck. If this film had been true to it’s real Kemetic roots and written decently, I doubt that the investors would have ever let it be made into a movie. That to me is the deepest crime of all; that Hollywood culture thinks nothing of insulting the intelligence of everyone with more bullshit and glittery crap that has nothing to do with historical or cultural accuracy. We Kemetics are going to have to explain the glaring inaccuracies to people who think of entertainment films as being just spicier documentaries.

Will I watch this film?

Probably. But I definitely won’t purchase it or stream it until it reaches the used book store.  I don’t want them to make a single penny of profit off of me.

Piye Victory Stele from the 25th Dynasty

Piye Victory Stele from the 25th Dynasty

My biggest dream for a film on Ancient Kemet is to see the entire film first of all follow accurate history, and be done entirely in spoken Kemetic – like Mel Gibson’s Apocalypto, which was done entirely in Mayan and Yucatec with English subtitles. I know such a thing is possible in Kemetic because of the bits of the original Stargate and The Mummy films employed the language. Ancient Kemetic history is filled with good stories that could be used such as the Harem Conspiracy of Rameses III, or the re-unification of Egypt by 25th Dynasty Pharaoh, Piye, who swept in from Nubia in order to reunite the Two Lands. (He also launched the first amphibious attack in world history, but that’s another very cool story for later).

Would it be difficult?  Absolutely. Would such a film be a high budget expenditure? I don’t see how it could possibly be done any other way.

But then, that’s the point, isn’t it?.   The 1963 release of Cleopatra starring Elizabeth Taylor was originally 8 hours long and it ultimately caused the studio that produced it to go bankrupt!   I actually own a shooting script for that film, and I have to say that for all its faults, they got much of the look and feel of Alexandria during the Ptolemaic period correct even if bits of history were wrong here and there.   Today, however, instead of Hollywood spending all the money that it does on inaccurate, digitized imagery that looks like it was pulled out of a graphic novel or a video game. Why is it so difficult to give audiences something that is real and respectful? If they did, perhaps such a worthy endeavor would last long past the box office or DVD receipts are calculated and banked by the suits in Hollywood who no longer care for or believe in anything else except return on investment and profit margins. It would, that is,  if they’re lucky.

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Out of curiosity…

Why is it when you are what some might consider beautiful, that they often like to assume that you must at least be stupid as well? As if the gods could not be bothered to give you both intelligence as well as attractiveness! I find myself being talked down to on a regular basis. Then if by chance they do find out that you actually have wit and intelligence to match the package, they almost instantly become intimidated by it. Every moment that follows thereafter they spend trying to discern what your flaws are. I have seen some literally scrunch up their faces with determination while trying to ferret out what it might be that could be my Achilles’ heel.

I recently received a correspondence from a ruler of my acquaintance.

I am astonished that you have come to know how to read and write, Madame! Surely this is an unnatural state for a woman! Such things, in my experience, are unfit for women to know. Begging your pardon, I find it unbelievable that you do not have a male scribe to dictate your correspondence to! Surely your race and your people know that it is absurd to teach learning to women! Surely a woman as beautiful as yourself has no need to take upon herself such tasks that are ill suited to her. You, Madame, should beseech your greatest advisers to find you a suitable match who can alleviate such concerns from your brow. Certainly some women are quite able to handle the arduous duties of commerce and rulership, but if left unchecked without the guiding hand of a man, a woman will be left helpless and fall into the trap of mental imbecility. Your people do a grave disservice to you, Madame, if you are left to your own devices so tragically!

A woman’s attention should focus upon her appearance, with the closest attention to her garmenture and appropriate jewellery. She should be of good temperament and docility in order to be nothing but the greatest pleasure to her husband. Giving a woman over to learn those things which are the realms of men gives her to arrogance and self-conceit. Such are the consequences of filling a woman’s head with more than she can readily handle. It is by far the best institution of the Gods that most women should die upon the pyre with the bodies of their husbands, since they are mostly incapable of acting for themselves. These are wise regulations for any man to live by and women should feel protected by such considerations to her care!

I am unclear as to how I should react to such a ridiculous missive! I have ruled alone for many more years than this over bloated and certainly overdressed popinjay has been alive. If it were not so tragic it would be laughable. My only hope is to one day meet this man face to face and make his wives widows and with the right of conquest set them all free and leave his wealth to dispose of as they choose.

But what is true, it was not so very long ago that even the so-called modern world viewed women with such disdain.

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